On 6 September 2018, the IIS hosted a celebratory event at the Aga Khan Centre to commemorate the signing of the Memorandum of Agreement between SOAS University of London and The Institute of Ismaili Studies (IIS).
This article explores the place of the Fatimids in the cultural memory of the Nizari Ismailis in the post-Mongol era. the author argues that the emphasis placed on the Fatimid era in present-day Nizari discourse is a relatively recent development, rooted in the dynamic changes that occurred in the social and political context of the community in the 18th and 19th centuries.
Understanding Sharia: Islamic Law in a Globalised World endeavours to fill a long-felt need, both among Muslims and non-Muslims, who wish to gain a better understanding of the workings of sharia and its evolving role in the Muslim world today.
This book provides an analysis of al-Kirmānī’s thought and sheds new light on the many layers of allusion which characterise his writings.
Through a translation and analytical commentary of the eighth chapter of al-Kirmānī's Kitāb al-Riyāḍ (Book of Meadows), which is devoted to the subject of divine preordination and human redemption, Maria De Cillis shows readers first-hand his theologically distinctive interpretation of qaḍāʾ and qadar (divine decree and destiny).
Between the 10th and 12th centuries CE, the Fatimid caliphate ruled parts of presentday Algeria, Tunisia, Egypt, Sicily and Syria. Tracing their descent from the Prophet Muhammad ' s daughter, Fatima, the Fatimids reinvigorated Islamic art, producing splendid pottery, metalwork, rock crystal, wood, textile and calligraphic creations.
This survey in 14 essays of Fatimid art between the 10th and 12th centuries showcases the pottery, rock crystal, metalwork, textile, architectural, wood, and calligraphic creations of one of the most artistically inventive periods in Islamic culture, with special attention paid to the art of Christian and Jewish communities under the Fatimids.